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The Hip Hop Movement offers a critical theory and alternative history of rap music and hip hop culture by examining their roots in the popular musics and popular cultures of the Civil Rights Movement and Black Power Movement. Connecting classic rhythm & blues and rock & roll to the Civil Rights Movement, and classic soul and funk to the Black Power Movement, The Hip Hop Movement explores what each of these musics and movements contributed to rap, neo-soul, hip hop culture, and the broader Hip Hop Movement. Ultimately, this book’s remixes (as opposed to chapters) reveal that black popular music and black popular culture have always been more than merely “popular music” and “popular culture” in the conventional sense and reflect a broader social, political, and cultural movement. With this in mind, sociologist and musicologist Reiland Rabaka critically reinterprets rap and neo-soul as popular expressions of the politics, social visions, and cultural values of a contemporary multi-issue movement: the Hip Hop Movement.
Rabaka argues that rap music, hip hop culture, and the Hip Hop Movement are as deserving of critical scholarly inquiry as previous black popular musics, such as the spirituals, blues, ragtime, jazz, rhythm & blues, rock & roll, soul, and funk, and previous black popular movements, such as the Black Women’s Club Movement, New Negro Movement, Harlem Renaissance, Civil Rights Movement, Black Power Movement, Black Arts Movement, and Black Women’s Liberation Movement. This volume, equal parts alternative history of hip hop and critical theory of hip hop, challenges those scholars, critics, and fans of hip hop who lopsidedly over-focus on commercial rap, pop rap, and gangsta rap while failing to acknowledge that there are more than three dozen genres of rap music and many other socially and politically progressive forms of hip hop culture beyond DJing, MCing, rapping, beat-making, break-dancing, and graffiti-writing.
- Sales Rank: #1084440 in eBooks
- Published on: 2013-04-04
- Released on: 2013-05-03
- Format: Kindle eBook
Review
Persuasively argued, carefully researched, The Hip Hop Movement places hip hop in the tradition of previous Black political moments. Reiland Rabaka presents a bold challenge to hip hop scholars, Black Studies practitioners, Civil Rights historians and youth politics pundits alike….One of the most important analyses of hip hop and hip hop scholarship to date, Reiland Rabaka’s The Hip Hop Movement is a major contribution to our understanding of post-civil rights era politics and movement building. (Bakari Kitwana, author of Why White Kids Love Hip-Hop: Wankstas, Wiggers, Wannabes and the New Reality of Race in America)
Rabaka (Africana studies, Univ. of Colorado, Boulder) begins not only by arguing the existence of a hip-hop movement, but also by defining its parameters and identifying the hip-hop generation. He also examines hip-hop's links to other music genres (rhythm and blues, rock 'n' roll, soul, and funk), as well as to black political movements. The author provides a rich look at the evolutions of these music genres and then their impacts on hip-hop. Rabaka examines fusions and samplings in which hip-hop artists have, for example, produced rock 'n' roll tracks or infused funk into their sound. The book is somewhat awkward in places in its effort to survey important music genres between 1945 and 1980 and link them to hip-hop. The author only secondarily mentions the influences of African and Caribbean music on hip-hop. Given their importance to hip-hop's development, an explanation for their omission would have sufficed. Overall, the book provides a depth of information, recalling many artists and music from hip-hop's old school and golden age. Rabaka analyzes hip-hop's complexity and various dialogues over the direction and presence of the hip-hop movement. Summing Up: Recommended. All levels/libraries. (CHOICE)
Connecting classic rhythm & blues and rock & roll to the Civil Rights Movement, and classic soul and funk to the Black Power Movement, The Hip Hop Movement critically explores what each of these musics and movements’ contributed to rap, neo-soul, hip hop culture, and the broader Hip Hop Movement. Ultimately, The Hip Hop Movement reveals that black popular music and black popular culture have always been more than merely “popular music” and “popular culture” in the conventional sense and most often reflect a broader social, political, and cultural movement.
About the Author
Reiland Rabaka is associate professor of African, African American, and Caribbean Studies in the department of ethnic studies and the humanities program at the University of Colorado at Boulder, where he is also an affiliate professor in the women and gender studies program and a research fellow at the Center for Studies of Ethnicity and Race in America (CSERA). He is the author of eleven books, including Hip Hop’s Inheritance; Hip Hop’s Amnesia; and The Neo-Soul Movement: From Classic Soul to Hip Hop Soul. He is also the recipient of the Cheikh Anta Diop Distinguished Career Award.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Great analysis of the humble beginnings of HipHop
By Yvonne Coleman
Great analysis of the humble beginnings of HipHop, and the connection to African American music and culture. I would recommend this book to anyone interested in the History of Music in the United States.
1 of 4 people found the following review helpful.
The whole world revolves around hiphop..
By topofthecity
Wow, I guess the only way those freakin millennials can know that anything existed (musically) before hiphop is to write a book connecting everything to hiphop. That's typical! Searching through amazon, I find more books with the term HipHop in the title, then say Funk, and the ones that are supposedly about Funk, still spend way too many pages connecting it to hiphop, because of the damn sampling (see Rickey Vincent, etc.) .
How about write a book (or two) about JUST R&B, & Funk - its important enough to stand on its own, without ALWAYS having to share the spotlight with hiphop? Millennials & future generations will ONLY know about hiphop (cause that's all that people write about or talk about in the media) , they won't know about the beautiful sounds/arrangements/grooves/riffs/solos on P-FUNK, Prince, Earth, Wind & Fire, Ohio Players, Cameo, Stevie Wonder, Teena Marie, James Brown, & Rufus ALBUMS, cause not enough people write about them. In fact, they won't know what a groove or solo is.
Now, simpletons are walking around with headphones called beats(!) and this "obey your verse" nonsense on Sprite cans, & we have to have "hiphop" abs? Sick of it all.
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