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In this second of a planned five-volume series, David Roy provides a complete and annotated translation of the famous Chin P'ing Mei, an anonymous sixteenth-century Chinese novel that focuses on the domestic life of His-men Ch'ing, a corrupt, upwardly mobile merchant in a provincial town, who maintains a harem of six wives and concubines. This work, known primarily for its erotic realism, is also a landmark in the development of narrative art--not only from a specifically Chinese perspective but in a world-historical context.
With the possible exception of The Tale of Genji (1010) and Don Quixote (1615), there is no earlier work of prose fiction of equal sophistication in world literature. Although its importance in the history of Chinese narrative has long been recognized, the technical virtuosity of the author, which is more reminiscent of the Dickens of Bleak House, the Joyce of Ulysses, or the Nabokov of Lolita than anything in the earlier Chinese fiction tradition, has not yet received adequate recognition. This is partly because all of the existing European translations are either abridged or based on an inferior recension of the text. This translation and its annotation aim to faithfully represent and elucidate all the rhetorical features of the original in its most authentic form and thereby enable the Western reader to appreciate this Chinese masterpiece at its true worth.
- Sales Rank: #831908 in eBooks
- Published on: 2013-05-02
- Released on: 2013-05-02
- Format: Kindle eBook
Review
"[A] book of manners for the debauched. Its readers in the late Ming period likely hid it under their bedcovers."--Amy Tan, New York Times Book Review
Praise for Volume 1: "[I]t is time to remind ourselves that The Plum in the Golden Vase is not just about sex, whether the numerous descriptions of sexual acts throughout the novel be viewed as titillating, harshly realistic, or, in Mr. Roy's words, intended 'to express in the most powerful metaphor available to him the author's contempt for the sort of persons who indulge in them.' The novel is a sprawling panorama of life and times in urban China, allegedly set safely in the Sung dynasty, but transparently contemporary to the author's late sixteenth-century world, as scores of internal references demonstrate. The eight hundred or so men, women, and children who appear in the book cover a breath-taking variety of human types, and encompass pretty much every imaginable mood and genre--from sadism to tenderness, from light humor to philosophical musings, from acute social commentary to outrageous satire."--Jonathan Spence, New York Review of Books
Praise for Volume 1: "Racy, colloquial, and robustly scatalogical, [this translation] could only have been done now, when our literary language has finally shed its Victorian values. David Tod Roy enters with zest into the spirit and the letter of the original, quite surpassing . . . earlier versions."--Paul St. John Mackintosh, Literary Review
Praise for Volume 1: "Reading Roy's translation is a remarkable experience."--Robert Chatain, Chicago Tribune Review of Books
About the Author
David Tod Roy is Professor Emeritus of Chinese Literature at the University of Chicago, where he has studied the Chin P'ing Mei and taught it in his classes for the last three decades.
Most helpful customer reviews
25 of 25 people found the following review helpful.
The Plum in the Golden Vase: Volume Two: The Rivals
By Tom Dodson
Unlike most classic Chinese literature,the Chin P'ing Mei breaths with surprisingly real characters with timeless motives: love, hate, fear, ambition, sex... If the soap opera existed when the book was written, The Plum in the Golden Vase would have had a following equal to Dallas. Not only are the book's characters sympathetic and fully developed, one actually cares about and identifies with them. Roy's translation reads more like a modern novel than a beloved Asian classic. Unlike earlier translations which sought to spare the reader some of the randier details of upper class private life, Roy presents all the particulars in a matter-of-fact manner that even today has the power to astonish the modern reader with it's open celebration of decandance. A great deal of the intended social commentary concerning the moral and spritual corruption of the time period will be apparent only to Asian historians and scholars; however, as with all great works, it may be read and enjoyed on many levels. To non-Chinese readers, keeping track of the multitude of unfamiliar names can be a problem, but there is a complete index of names included in the book but, although irksome at times, it is possible to keep track of everyone, even the servants,in this sprawling, epic work. I can't think of a better introduction to Chinese culture and history than the Chin P'ing Mei. Here's hoping the publication of Volume Three is not long in the making.
1 of 1 people found the following review helpful.
Used book as described
By A. Grishin
The book is fascinating. For a good reason it was called one of the most important (if not the most important) Chinese literary masterpieces. The story has interesting parallels with Don Juan, which it predates. According to my Chinese friend, the English translation is better for a contemporary reader than the original: a typical modern Chinese reader will have difficulty going through the ancient text. The downside of this purchase was a big ugly sticker on the back cover that I had difficult time peeling off.
0 of 0 people found the following review helpful.
Kindle sample review
By Kindle Customer
Nothing but list of characters. Pass.
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