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So Far from God: A Novel, by Ana Castillo
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"A delightful novel...impossible to resist."—Barbara Kingsolver, Los Angeles Times Book Review
Sofia and her fated daughters, Fe, Esperanza, Caridad, and la Loca, endure hardship and enjoy love in the sleepy New Mexico hamlet of Tome, a town teeming with marvels where the comic and the horrific, the real and the supernatural, reside.
- Sales Rank: #88306 in eBooks
- Published on: 2005-06-17
- Released on: 2013-06-06
- Format: Kindle eBook
From Publishers Weekly
Castillo's ( Sapogonia ) inventive but not entirely cohesive novel about the fortunes of a contemporary Chicana family in the village of Tome, N.M., reveals its main concerns at once. Sofi's three-year-old daughter dies in a horrifying epileptic fit but is resurrected (and even levitates) at her own funeral, reporting firsthand acquaintance with hell, purgatory and heaven. Magic and divine intervention in varying ways touch each of Sofi's three other daughters: the eldest, mainstreamed yuppie Esperanza; Caridad, whose path leads toward folk mysticism; and the more mundane Fe, who--seized with a screaming convulsion when her fiance jilts her--is brought to silence only months later through the intercession of the resurrected youngest sister, "Loca." Castillo takes a page from the magical realist school of Latin American fiction, but one senses the North American component of this Chicana voice: in her work, occult phenomena are literal, not symbolic; life is traumatic and brutal--as are men--but death is merely tentative. She sounds a secondary note as a proponent of feminism and social justice, but her hand falters when she attempts to blend the formation of an artisans' cooperative or an industrial toxins scandal into a universe of magical healings and manifestations. Castillo is also a critic, a translator and a poet.
Copyright 1993 Reed Business Information, Inc.
From Library Journal
This masterfully written novel by the author of The Mixquiahuala Letters (Anchor: Doubleday, 1992) tells the story of Sofia and her four daughters. The Hispanic family lives in Tome, New Mexico, a small, quiet town whose inhabitants nonetheless directly deal with such current social issues as AIDS, industrial pollution, the volatile political situation in the Middle East, poor people's struggle for self - sufficiency, and the current interest in alternate spirituality and natural medicine. Although filled with tragic events, the narrative also offers hope in its portrayal of successful journeys toward wholeness by each of the five women. Each chapter stands on its own as a complete story, but readers won't be satisfied until they've finished the entire skillfully constructed book. Highly recommended for collections with demand for Hispanic, women's, or spiritual literature.
- Sherri Cutler, Children's Memorial Hosp. Lib., Chicago
Copyright 1993 Reed Business Information, Inc.
From Kirkus Reviews
Chicana writer Castillo (whose reputation until now has been mostly regional) brings a warm, sometimes biting but not bitter feminist consciousness to the wondrous, tragic, and engaging lives of a New Mexico mother and her four fated daughters. Poor Sofi! Abandoned by her gambler husband to raise four unusual girls who tend to rise from adversity only to find disaster. ``La Loca,'' dead at age three, comes back to life--but is unable to bear the smell of human beings; Esperanza succeeds as a TV anchorwoman--but is less successful with her exploitative lover and disappears during the Gulf War; promiscuous, barhopping Caridad--mutilated and left for dead--makes a miraculous recovery, but her life on earth will still be cut short by passion; and the seemingly self-controlled Fe is so efficient that ``even when she lost her mind [upon being jilted]...she did it without a second's hesitation.'' Sofi's life-solution is to found an organization M.O.M.A.S. (Mothers of Martyrs and Saints), while Castillo tries to solve the question of minority-writer aesthetics: Should a work of literature provide a mirror for marginalized identity? Should it celebrate and preserve threatened culture? Should it be politically progressive? Should the writer aim for art, social improvement, or simple entertainment? Castillo tries to do it all--and for the most part succeeds. Storytelling skills and humor allow Castillo to integrate essaylike folklore sections (herbal curing, saint carving, cooking)--while political material (community organizing, toxic chemicals, feminism, the Gulf War) is delivered with unabashed directness and usually disarming charm. -- Copyright ©1993, Kirkus Associates, LP. All rights reserved.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Love it, a page
By Krista Wert
Magical realism to a tee. Love it, a page turner
13 of 14 people found the following review helpful.
The Poetry of Life and the World Beyond.....
By D. Pawl
Ana Castillo truly takes us for an unforgettable trip as we take a glimpse into the lives of Sofi, a Chicana woman, and her four daughters, Esperanza (Hope), Caridad (Charity), Fe (Faith), and La Loca (The Crazy One). The story reads like an epic parable about life, death, sexuality and the bridge between the world of the living and the afterlife. It also raises very important questions about the division between heaven and hell and whether is really such a bad place after all in comparison with the life that we come to accept.
Each woman in this story is touched by fate in unexpected, and (sometimes) supernatural ways. While Esperanza, the successful, upwardly mobile sister acts on her name and is relocated to Iraq as part of her journalism work, her sister Caridad becomes a faith healer, Fe loses her voice after a fit of desperate screaming, and La Loca cheats death as a young toddler only to become the subject of social scrutiny in their community as an isolated loner with a sixth sense only understandable to her mother, Sofi.
This book is truly enjoyed when you suspend disbelief and just go with the supernatural and magical elements. SO FAR FROM GOD is true poetry, and also very important in cultural studies. It was assigned to me in a comparative literature class through the department of American Ethnic Studies with the following books: The Grass Dancer, A Lesson Before Dying, Ruby Ridge, and Homebase. (Books also worth checking out!)
7 of 7 people found the following review helpful.
An excellent NOVEL!
By Elsa Saeta
Samuel Taylor Coleridge called drama "that willing suspension of disbelief for the moment, which constitutes poetic faith." The same may be said of reading fiction. When we sit down with a novel, we enter into a shared agreement with the author and other readers when we willingly suspend disbelief. We know that everything that is happening in the narrative isn't real, but the author and the audience have all entered into a conspiracy "of poetic faith" in an attempt to bring to life a quasi-reality that will transcend and communicate some perception about life in this world.
That willingness to enter the world the author had created--be it in traditional fiction, magical realism, science fiction, utopian/distopian literature, was one of the agreements I asked my university students to make at the start of every semester. It was therefore particularly disturbing to read the reviewer who insisted that Castillo's characters and settings "did not ring true." So Far From God is fiction and is not intended as biography or ethno-sociology. It is what it is: an excellent novel about a remarkable woman, Sofia, and her equally remarkable, if somewhat unusual, daughters. Like the previous reviewer, I too found that So Far From God was the novel which my students were most likely to take home to their mothers, and to recommend to other women--not for its realistic depiction of New Mexico, but for its empowering treatment of women.
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